Electric

Rock changed for good the day someone plugged it in. An electric rock poster captures that charge without a single famous face: a lightning bolt, a humming amp, the squeal of feedback when the guitar gets too close to the speaker. An image you read like a riff.

The visual language of current

It all starts with objects that became legends. Leo Fender's Stratocaster, launched in 1954, with its curves and three pickups. Marshall amplifiers, founded by Jim Marshall in London in 1962, which gave British rock its gritty overdrive. Around them grew a whole graphic vocabulary: the bolt as a high-voltage warning, alarm colours in red, black and yellow, and the halftone dots of old printed posters.

You don't need a favourite band to wear this style. It's the spirit of rock in general, the noise that leaves the garage and rattles the windows.

Three ways to switch the power on

A red bolt on cream paper with a halftone screen is the bright version that shines on a pale wall. Go nocturnal with a black background, vivid red and a flash of orange, perfect for a gaming corner. Or cool things down with a vinyl in steel blue and coral, rawer and just as loud.

Together they make a natural trio: same energy, three temperatures. Hang them in a row over a desk or bed with a few centimetres between them and the whole wall starts to hum.

Pair it with

The bolt is a close cousin of AC/DC's, and the two talk to each other beautifully on the same wall. Add a guitar on a hook, an amp on the floor and a red lamp, and the stage is set.

Each poster is printed in Tunisia and paid for on delivery anywhere in the country. Plug in and turn it up.